The documentary on the dance form conceptualised by the Swaranartana team speaks of its glorious history and the need to revive it In a bid to revive Andhranatyam, the temple dance form that was named and widely propagated by eminent dance guru Nataraja Ramakrishna, the team of Swaranartana, a dance academy released a documentary capturing its evolution and transformation with the times. Featuring dancers Karnati Navatha, Denduluri Padma Mohan and Amrutha Denduluri through the 24-minute effort, the documentary gracefully skims over the traditions that have helped nurture the form. Capturing the very essence of art, specifically dance and music in a human’s life while taking multiple references to the Vedas, the work is cause for rejoice for both a layman and art lover. Highlighting the changing nomenclature of the form, from Dasi to Darbar to Kacheri dance and later Karnatakam, there’s adequate mention of how it was born out of the Natva Mela and thereby you’re given a good briefing about its different styles, Aradhana, Aasthana and Parijatha Nrityas. The last, (Parijathas) in its simplest form, is ideally suited for common dancers for performances, which is abundantly reflected in Andhra Natyam. In Glen and Akhila’s commentary that introduces you to the intricacies of the form, there’s substantial information as to how various emotions go into a performance — from devotion to seduction to romance to anger — and the little details that need to taken to get an act right. The dances and the voice-over in seamless balance, there’s substantial explanation of how devotion played a prominent role in the development of Aaradhana Nritya with Pushpanjali, Vinayaka Gadhya, Kaivaram, Sandhya Samayam and Kumbha Haarathi. The pleasing nature of Javali and the bravery of the kings that were depicted through Salanjathi/Sabdam in the Aasthana Nritya were elaborated in detail later. Within a limited timeframe, as they explain Navajanardhana Parijatham as part of the Parijatha Nritya, the effort unveils several episodes of the tale surrounding the equation between Satyabhama and Krishna. Beginning with Bhamayani Piluthure, which narrates how other men (beyond Krishna) address Sathyabhama as Bhama, followed by the union of the couple with the Ravayya Madana song, to the fights they have over petty issues and the anger with the Gollavaniki Rajasame, Jadatho Kottaka Maananu compositions, it ends with Dandam Okkati, where the lady sheds her arrogance and pleads with her man to return. Rama Jagannath and Sarada Reddy were terrific with their vocals in the backgrounds. Not only restricting the content to the historical details, the outcome pays a wonderful tribute to the likes of Nataraja himself and the other exponents of the form including the likes of Annabattula Buli Venkata Ratnamma, Saride Manikyamma, Chinta Chinaganiraju. The work also throws light on the attempts of the Denduluri Foundation to train capable performers and the need for sustaining the tradition. Directed with supreme efficiency by Meer, the documentary has several aspects coming together in right measure, be it the background score of Anasuyamma and Rama Jagannath or the contributions of the artistes playing the violin , mridangam, flute and with the nattuvangam. An eye-opener for those eager to know about Andhra Natyam, it was launched recently by Union Minister Venkiah Naidu in the presence of film director K Raghavendra Rao, eminent dancers Kala Krishna and Government Official Sri.Nalini Mohan .

Sandhya Samayam Sarasa Vasanthamu Yemuna Theeramu , Krishna Vilasamu. Song Sandhya Samayamu Dance form : Andhranatyam Direction : Meer Performed by : Denduluri Padma Mohan An RK Tele Show Production. This dance form depicts Lord Krishna and his mysterious deeds.. There is a deep connection between Nature and Lord Krishna's endeavours .The song emphasises on the marvels of nature i.e., Birds singing, beautiful evening sun ,subtle breezes and gopikas and Radha dancing to the rhythms. Gods and Goddesses shower their blessings and groove along to the melodious flute of Krishna . Everything about this song is joyful and absolutely pleasurable .

The documentary on the dance form conceptualised by the Swaranartana team speaks of its glorious history and the need to revive it In a bid to revive Andhranatyam, the temple dance form that was named and widely propagated by eminent dance guru Nataraja Ramakrishna, the team of Swaranartana, a dance academy released a documentary capturing its evolution and transformation with the times. Featuring dancers Karnati Navatha, Denduluri Padma Mohan and Amrutha Denduluri through the 24-minute effort, the documentary gracefully skims over the traditions that have helped nurture the form. Capturing the very essence of art, specifically dance and music in a human’s life while taking multiple references to the Vedas, the work is cause for rejoice for both a layman and art lover. Highlighting the changing nomenclature of the form, from Dasi to Darbar to Kacheri dance and later Karnatakam, there’s adequate mention of how it was born out of the Natva Mela and thereby you’re given a good briefing about its different styles, Aradhana, Aasthana and Parijatha Nrityas. The last, (Parijathas) in its simplest form, is ideally suited for common dancers for performances, which is abundantly reflected in Andhranatyam. In Glen and Akhila’s commentary that introduces you to the intricacies of the form, there’s substantial information as to how various emotions go into a performance — from devotion to seduction to romance to anger — and the little details that need to taken to get an act right. The dances and the voice-over in seamless balance, there’s substantial explanation of how devotion played a prominent role in the development of Aaradhana Nritya with Pushpanjali, Vinayaka Gadhya, Kaivaram, Sandhya Samayam and Kumbha Haarathi. The pleasing nature of Javali and the bravery of the kings that were depicted through Salanjathi/Sabdam in the Aasthana Nritya were elaborated in detail later. Within a limited timeframe, as they explain Navajanardhana Parijatham as part of the Parijatha Nritya, the effort unveils several episodes of the tale surrounding the equation between Satyabhama and Krishna. Beginning with Bhamayani Piluthure, which narrates how other men (beyond Krishna) address Sathyabhama as Bhama, followed by the union of the couple with the Ravayya Madana song, to the fights they have over petty issues and the anger with the Gollavaniki Rajasame, Jadatho Kottaka Maananu compositions, it ends with Dandam Okkati, where the lady sheds her arrogance and pleads with her man to return. Rama Jagannath and Sarada Reddy were terrific with their vocals in the backgrounds. Not only restricting the content to the historical details, the outcome pays a wonderful tribute to the likes of Nataraja himself and the other exponents of the form including the likes of Annabattula Buli Venkata Ratnamma, Saride Manikyamma, Chinta Chinaganiraju. The work also throws light on the attempts of the Denduluri Foundation to train capable performers and the need for sustaining the tradition. Directed with supreme efficiency by Meer, the documentary has several aspects coming together in right measure, be it the background score of Anasuyamma and Rama Jagannath or the contributions of the artistes playing the violin , mridangam, flute and with the nattuvangam. An eye-opener for those eager to know about Andhra Natyam, it was launched recently by Union Minister Venkiah Naidu in the presence of film director K Raghavendra Rao, eminent dancers Kala Krishna and Government Official Sri.Nalini Mohan .

This Andhra Natyam documentary is part of the Adhyathma Ramayanam dance series, with a focus on 'Balakanda' - the childhood and young adulthood of Lord Rama's life, as written by Sri Subramanya Kavi. The documentary emphasises elegant footwork, subtle and earnest expressions which stand as hallmarks of Andhra Natyam. A Denduluri Foundation Hyderabad and Swaranartana Dance, Music & Yoga Academy Present Directed by : Meer Produced by : Denduluri Foundation and Swaranartana Conceptualized by : Padma Shri Bharath Kala Prapoorna Late Sri. Nataraja Ramakrishna Sri.Dr Kala Krishna (Sangeet Natak Akademi Awardee) Dance form : Andhranatyam Dancers : Denduluri Padma Mohan Denduluri-Marthi Akhila Jyothy Vadali Pavani Make-up : P. Pavan Kumar Music : Vadali Phani Narayana Vocals : Nitya Santhoshini, Sri Dr. Kala Krishna (Jathis) Photograpy : Sd. Jaan Project Co-ordinator : Dharma Ved Production House : R K Teleshow

This Andhranatyam documentary is part of Aadhyathma Ramayanam dance series, (English Version) with a focus on 'Balakanda' - the childhood and young adulthood of Lord Rama's life, as written by Sri Subramanya Kavi. The documentary emphasises elegant footwork, subtle and earnest expressions which stand as hallmarks of Andhranatyam.

Choodagaligenu Ramudi Sundararoopamu Choreography : Dr. Kala Krishna Dance form : Andhranatyam Directed by : Meer Music : Vadali Phani Narayana Performed by : Denduluri Padma Mohan Produced by : Swaranartana Dance, Music and Yoga Academy Hyderabad

Om Namah Shivaya Song : Harahara Nataraja Abhayankara Choreography : Dr. Kala Krishna Music : Vadali Phani Narayana Singers : Sahiti and Nayana Lyrics : Samudrala Ramanujacharya Direction : Meer DOP : SD Jaan Performed by : Denduluri Padma Mohan Dance form : Andhranatyam Produced by : Swaranartana Dance, Music and Yoga Academy Hyderabad

On the occasion of Sri Rama Navami, presenting an Andhranatyam piece by Smt. Parma Denduluri. The choreography describes the unique scene unfolding at the coronation of Sri Rama as the Emperor of Ayodhya. Rama, with his deep blue skin, kind eyes, virtuous speech, elegant demeanour and a gentle heart, is also fondly known as Raghu Rama, after the Raghu dynasty of kings he belonged to. Sri Rama is perceived in many ways: a mythological figure, a Hindu god, a religious deity, an incarnation of Lord Vishnu who represents the balance creator for the world, and most importantly, Rama is considered to be the ideal human being. The dance piece details all the attendees at the coronation of Sri Rama, which includes Rama’s brothers Lakshmana, Bharatha, Sathrughna, his wife Sita, disciple Hanuman, and followers. The movement and expression depict the pomp and celebration in the court with dancers, musicians and public, and it is a scene of gratitude, love and much-awaited delight for the entire world ! To err is to human, and the story of Sri Rama’s life is a tale of human errors and how these are handled, to experience the beauty of human life, of family and community, of the Mother Earth and nature, and of the transient nature of life !! Seems like a tale from eons ago is relevant even today !! Hope you enjoy the piece. Song : Arudaina Ratna Simahasanamandu Choreography : Dr. Kala Krishna Music : Vadali Phani Narayana Singers : Harini and Pallavi Lyrics : Tumu Lakshmi Narasimhadasu Direction : Meer DOP : SD Jaan Performed by : Smt. Denduluri Padma Mohan Dance form : Andhranatyam Produced by : Swaranartana Dance, Music and Yoga Academy and Denduluri Foundation Hyderabad

Shiva Nartana Hela is an Andhranatyam piece depicting a few critical aspects in the narrative of Lord Shiva. Shiva, the primal soul of the universe, is the force that destroys darkness to maintain the cosmic balance. Shiva, known as Adi Yogi, also manifests as Lord Nataraja, who is the patron saint of all arts, yoga and meditation. In this choreography, an abstract similarity is drawn between an individual's anger and misdeeds with aspects of Shiva's narrative on overcoming evil. The choreography depicts scenes from Shiva's narrative: the flow of river Ganga to calm Shiva's temper, Shiva's role in preventing a toxic element destroying the universe, the five elements of the universe and all the cardinal directions synchronising collectively in harmony with the Adi Yogi. Hope you enjoy the piece.